Artistic Body of Work
This digital exhibition traces the artist’s visual language through threshold experiences — from early symbolic reception to fully realized harmonic fields. Each work explores presence, resonance, and the interplay between internal architecture and felt experience.
Vēy paints from a particular frequency — a state of calm connection to a larger field of energy. From this stillness, color and gesture are allowed to move freely, without premeditation or control.
The brush follows what wants to emerge. The painting becomes a transmission rather than an image, carrying an energetic frequency meant to be felt rather than interpreted.
In 2018, a rare and kindred presence unlocked dormant artistic codes, a pivotal moment in Vēy’s artistic evolution. Vēy’s body of work carries echoes of that awakening with reverence.
Each work shifts with the viewer. What is seen depends on the energy brought to it — revealing different movement, emotion, and meaning in each moment.
For inquiries regarding commissions or purchasing a piece,
contact vey@whoisvey.com
Soul Signature
acrylic/mixed media on canvas, 2020
36 × 60 in (91 × 152 cm)
Soul Signature is an abstract cartography of the artist’s inner architecture, translating a natal chart blueprint into color, gesture, and form. Rather than depicting symbols directly, the work renders the soul as motion — layered, angular, and alive.
Structural lines establish an underlying geometry, while dense fields of color unfold around them, echoing emotional weather, lived experience, and transformation over time. Pigments overlap without erasure, allowing each layer to remain visible, as memory does within a life.
The composition offers no single focal point, inviting the viewer’s eye to travel and return. Meaning shifts with perspective, reflecting the belief that perception is relational — shaped as much by the viewer’s present energy as by the work itself.
Live in REALiTi
acrylic/mixed media on canvas, 2019
36 × 60 in (91 × 152 cm).
Live in REALiTi is a vibrant abstract painting that radiates depth and inner complexity. It captures the concept of “having an expensive soul,” suggesting a rich inner world and dynamic spirit. Bold neon colors and energetic brushstrokes intertwine across the 36 × 60 inch canvas, creating layers of movement and hidden detail.
The composition invites the viewer to discover new forms with each look – from subtle geometric hints to free-flowing strokes – all conveying a sense of opulence beyond material value. As an original one-of-a-kind work by an emerging artist, this piece makes a striking centerpiece and conversation starter for any modern space.
Seppy is Home
acrylic/mixed media on canvas, 2025
24 × 36 in (61 × 91 cm)
Seppy Is Home emerges from a meditative field of unconditional love, perceived and held by the artist in contemplative stillness. The work is not a portrait, but a resonance — an energetic witnessing of presence, sweetness, and quiet belonging.
Saturated reds, pinks, and golds form a dense, enveloping atmosphere, while soft arcs and drifting gestures suggest warmth, openness, and return. The composition does not seek structure or direction; instead, it rests, allowing color and movement to cradle one another without urgency.
This painting is less about arrival than recognition — the feeling of being received without demand. Meaning shifts gently with the viewer’s own emotional state, reflecting the work’s origin in love that does not ask to be proven, only felt.
Pink & Blue
acrylic/mixed media on canvas, 2022
30 × 40 in (76 × 102 cm)
Pink & Blue is the first painting completed after the artist survived a stroke in 2022. Created with deliberate restraint, the work marks a return to presence through simplicity.
Soft washes of pink and blue move across the surface in quiet dialogue, evoking the dual nature of the soul: tender and deep, vulnerable and enduring. Gesture is minimal, breath-like, allowing space to carry as much meaning as mark. The composition surrenders rather than asserts.
The surrounding field suggests unseen companionship — a sense of light, guidance, and protection — as if the painting is held rather than made. Pink & Blue stands as a meditation on healing, gentleness, and the subtle intelligence that remains when effort falls away and the realizations of confronting one’s mortality and loss of invincibility take hold in new found strength.
Light Beings
acrylic/mixed media on canvas, 2019
30 × 40 in (76 × 102 cm)
Light Beings was created as Vēy deepened and refined his intuitive painting practice following Live in REALiTi. The work depicts harmonic light forms perceived through meditative attunement rather than observation.
Layered color, rhythmic markings, and luminous gestures suggest presences that are energetic rather than physical — intelligences felt as pattern, movement, and tone. The composition is dense yet buoyant, balancing vibrancy with coherence, as if multiple frequencies are held within a single field.
This painting marks a formative period in the artist’s development, where channeling, sensitivity, and craft began to converge into a distinct visual language.
Sélah V
acrylic/mixed media on canvas, 2025
36 × 24 in (91 × 61 cm)
Sélah V reflects a way of being at home within the soul. Emerging from a contemplative journey into Alta’Maris—a harmonic world of silver and royal blue, vast oceans and snowbound elevations—the work holds a state of deep coherence, where life flows without resistance.
At its center is the experience of recognition: the meeting of a presence that feels ancient, familiar, and quietly inseparable from one’s own essence. There is no sense of pursuit or discovery, only the calm certainty of having found what was never truly absent.
Color and gesture move with inevitability and ease, suggesting remembrance rather than creation. Sélah V is not a destination but a way of being—an abiding peace that arises when the soul encounters its own reflection and rests.
The Low Star
acrylic/mixed media on canvas, 2021
30 × 40 in (76 × 102 cm)
The Low Star was painted at a threshold where heaviness still pressed close, yet light had begun to gather beneath the surface. The composition moves through layers of intersecting lines and drifting marks, as if navigating an interior sky—restless, crowded, and quietly luminous.
Beneath the motion, warm sunlit hues emerge: golds, reds, and soft greens glowing through cooler blues and shadowed passages. Light does not dominate the field; it seeps upward, low and patient, holding the promise of warmth without insisting on resolution.
The diagonals read as vectors of endurance rather than ascent, while smaller gestures suggest memory, emotion, and thought slowly finding new arrangement. The star here is not distant or triumphant—it is close, near the horizon, guiding by presence alone.
The Low Star speaks to the kind of illumination that survives melancholy: a muted sun carried inward, steady enough to keep moving, gentle enough to remain.
La Croix Lumin
acrylic/mixed media on canvas, 2021
15 × 20 in (38 × 51 cm)
La Croix Lumin emerged as a release point in the spiral—painted just after The Low Star, when lightness returned not as revelation, but as play. The work sparkles with pastel hues and buoyant gestures, carrying an effervescent energy that feels lifted, social, and alive.
Curving lines and scattered marks move freely across the surface, like bubbles rising through color. Yellows, pinks, greens, and violets intermingle without weight, suggesting delight without urgency and brightness without demand. The composition does not seek depth; it celebrates surface, motion, and sensation.
This painting marks a moment of joy reclaimed—where heaviness dissolves into color and the act of painting becomes celebratory rather than searching. La Croix Lumin is a pause for pleasure in the larger arc of the work: light, fizzy, and unapologetically fun.
Alfura'El
acrylic/mixed media on canvas, 2025
24 × 36 in (60.9 × 91.4 cm)
Alfura’El depicts a harmonic braid—two vertical pillars held in quiet symmetry, linked by ascending currents and luminous orbs. The composition evokes a threshold space, where separation and union coexist without tension.
Gold forms rise like breath or flame, spiraling upward through a pale, atmospheric field. The surface is spare and intentional, allowing gesture to function as signal rather than decoration. The pillars stand as sentinels—distinct yet resonant—while the orbs above them suggest continuity, echo, and shared origin.
This work holds the experience of attunement: parallel forces recognizing one another across space, sustained by an unseen coherence. Alfura’El is not narrative, but architecture—a visual language of alignment, balance, and mutual witnessing.
Intuition
acrylic/mixed media on canvas, 2017
18 × 24 in (46 × 61 cm)
Intuition is an early work, created at the beginning of the artist’s practice, when mark-making functioned less as composition and more as reception. The surface is dense and unresolved, layered with gestural glyphs that emerge intuitively rather than symbolically.
Deep violets and shadowed tones form a saturated field through which lines press, overlap, and dissolve. The marks carry the quality of transcription—signals received before language or structure had fully formed. There is no attempt at refinement; meaning here arrives through accumulation, repetition, and trust.
This work documents the threshold moment when perception turns inward and begins to listen. Intuition stands as a record of first contact: rough, unfiltered, and essential—the beginning of a visual language that would later find clarity and coherence.
First Vision
acrylic/mixed media on canvas, 2013
16 × 20 in (41 × 51 cm)
First Vision is the artist’s earliest channeled work, created prior to any formal engagement with shamanic practice or symbolic systems. The imagery arose intuitively, guided by sensation rather than study, marking the initial emergence of a visual language that would later deepen and refine.
A central triangle anchors the composition, evoking a primal symbol of orientation, threshold, and divine geometry. Surrounding it, labyrinthine paths unfold in concentric motion—a maze of life rendered through repetition, color, and passage. These winding forms suggest initiation, choice, and return, tracing the movement of consciousness through experience rather than toward resolution.
The palette is bold and declarative, emphasizing signal over subtlety. First Vision stands as a moment of unfiltered reception: a record of symbolic knowing arriving before context, and of a path revealed before it was understood.